The Crimea Medal radically changed the entire process of both the manufacture and distribution of campaign medals forever. Awarding such medals in bulk was a relatively new concept anyway, but pressure from Queen Victoria to issue this one while the campaign in the Crimea was still being fought placed huge strains on those responsible for ensuring that soldiers and sailors received recognition. In the process this created problems for collectors which continue to this day because so many medals were issued unnamed. This fascinating study by a team of three authors looks at the institution of the medal and its clasps, the monarch's influence, the manufacturing process and includes a detailed look at the naming - both official and unofficial - of the medal. It is the most comprehensive study of its kind ever undertaken and is a must for medal collectors and for anyone who is interested in the Crimean War.
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Imagery...Victoria Regina [in Latin, of course]...1854... a young [image from when?] Victoria's head...a diadem [mng?]... hair tied with a simple fabric band /ribbon...behind in a loose chignon [?...a knot or coil of hair arranged on the back of a woman's head...her hair is drawn back from her face into a chignon du cou... or is it not a chignon because it's so high off her neck?...[Victoria changed to a bun-in-a-net when she was mourning Albert's death in 1861]
Hairdo: see e.g. https://en.wikipedia.org/wiki/Chignon_(hairstyle)
The chignon can be traced back to ancient Greece, where Athenian women commonly wore the style with gold or ivory handcrafted hairpins. Athenian men wore the style as well, but they fastened their chignons with a clasp of "golden grasshoppers", according to The History of the Peloponnesian War, by Thucydides.[2] The chignon was specific to Athens, as other city states, such as Sparta and Cyprus, had their own style of hairdressing.
Male writers of the Victorian era, like Anthony Trollope e.g. He Knew He was Right [], were fond of poking fun at the absurdity of the fashion, which was much in vogue in England in the 1860s.
Is the front of the medal in effect a big silver penny? Also akin to postage stamp... NB the ubiquity of the "young Victoria" image...what branding!
The soldier depicted is emphatically a Roman centurion [or is he a Rman Emperor?]
...see his uniform, posture etc.
Is it curious to use a Roman centurion - builders of an empire by military might...who invaded Britain...was there a groundswell of anti-Roman sentiment at this time, alongside anti-Normanism? Victoria=Britannia=Boudicca? ...
Appears to be balancing on a plank that creates a ?segment at the bottom....
His footware?
It is always said he carries a gladius (the short sword - did all centurions use them?) but lok more closely...is it a piece of cloth? below and a gladius pointing up? ...how is it all being held?, and how carries held downward ...
circular shield with Lion, the British [emblem?]...
the wreath above alludes to a halo...held by Victory=an angel...rolls together Christianity and empire and the admiration/protection of women?
Very similar face and hair to Victoria's on winged Victory/Victoria/an angel behind...
?strangely, Victory has one bare breast...she carries a long feather/plume [mng?]...
PATIENT HEROES
"Well, Jack! Here's good news from home. We're to have a medal."
"That's very kind. Maybe one of these days we'll have a coat to stick it on!"
Punch, date? [from Wikipedia article on the Crimea Medal:
The caption reads:
"Well Jack! Here's good news from home. We are going to have a medal."
"That's very kind. Maybe one of these days we'll have a coat to stick it on!"
In December 1854, when the medal was sanctioned, there was widespread criticism in Britain that the troops were not receiving winter supplies, including warm clothing.